39f0b8479a7c2bf0.jpg 82ebbfae2ce2f963.jpg 6636ea9029ee396b.jpg 8738a698a9560db1.jpg
Autoclav1.1
Make Shift Splint
Shiv-R
Requiem For The Hyperreal
Blume
Ashes
Rabia Sorda
The World Ends Today
Lebanon Hanover
Let Them Be Alien
Lebanon Hanover
Let Them Be Alien
Ash Code
Perspektive
Suicide Commando
Death Will Find Us
Show all
    new

    Coil
    "Time Machines"

    Label: Dais Records (2017)

    “4 Tones to facilitate travel through time.” So begins the listeners’ journey into what has become one of the most treasured and revered pieces of COIL history ever released.

    Each of the four pieces on Time Machines is named after the chemical compound of the hallucinogenic drug that they were composed for, and the album was meticulously crafted to enable what John Balance referred to as "temporal slips" in time and space, allowing both the artist and audience to figuratively "dissolve time".

    Inspired by long form ceremonial music of Tibet and other religions, where the intent is to lose oneself in the music – to meditate or achieve a trance state – Time Machines became Drew McDowall, John Balance, and Peter Christopherson’s “electronic punk-primitive” answer to this tribal concept.

    Starting as a rough demo tape recorded solely by Coil member Drew McDowall, Time Machines started to take full form when McDowall enthusiastically delivered these demo recordings to Balance and Christopherson as sketches for a new Coil project with the primary goal of shifting Coil’s sound further into a more conceptually abstract direction. Largely recorded in 1997 using single takes with minimal post production, these four drones contain every intended fluctuation and tone, along with every glitch of the original – “Artifacts generated by your listening environment are an intrinsic part of the experience.”

    Remastered by Josh Bonati.

dkk 130/eur 17

Digipack